If there is one good takeaway from this article it's that our "art" demands discipline and active interaction with your subject. Next best is my 14 mm, f2.5 Lumix for its even wider field of view. I never knew why till I read and article by a renowned photogrpher whoststed that the 50 showed images the way the average human eyey sees them and that average was boring. Our natural vision may be more closely aligned with the 50mm, but I think that's why the 35mm is a much better pick. One will hardly try to take pictures of butterflies with a 20mm (it'll fly off :-) or a landscape with an 800mm (nice picture of a single rock you have there :-) If you must compromise from the purity of "your favorite focal length," perhaps the best type of lens is one of the all-in-one zooms, such as the Nikon 28-300mm or its cousins made by other brands.

Prices, specifications, and images are subject to change without notice. 35mm? This surprised me as I would have said that my "most used lens" would have been the 50mm followed by the 135mm.The need for wider lenses was obvious to me so I bought a 28mm & years later a 24mm. However, I recently bought the Nikon 28-300, and dang it's a nice lens! A good 100mm to 200mm macro? 50mm? Sometimes I'll back it up w a 45/1.8 in case I need a bit more reach, but often that just stays in my pocket.The article is about lenses that have a field of view of a 35mm lens on a full frame camera. I wanted to see what I could do, and what I could get out of the lens, being "forced" to use it. Why do I like the 35mm? A good photographer will pick the right lens for the job and will take the appropriate picture for the lens and subject at hand.The XF 27mm nearly made the cut, but with their superb 23mm options it just barely missed.

Is there a specific lens you feel very passionate about that didn’t make my list? The 35mm lens is a very versatile lens. Price is also very reasonable.Of course at the end of the day the perfect lens is a bit like the perfect camera - it is the one you have at hand. I shoot Alpha-mount so that would be the Well as this article is as silly as "Do you prefer blondes or brunettes?" It's not you, it's me.I could die happy having only every shot through 35mm lenses. Also I eventually graivitated to the 35 as my favorite. As for the 28mm equivalent (your 14mm) that is another debate, as many shooters end up picking either the 28 or the 35 and sticking to it. These lenses are all manufactured directly by Canon and include the quality and reliability guaranteed by having an established manufacturer behind them.

It will be well worth the cost.The 50 is easy, but good 35s are where you start seeing some specialized glass. Useless. You are cropping the image, not changing the image perspective.

When considering perspective - a 50 gives that accurate realness but to me it's too tight and too sterile. Please enable javascript for your best B&H experience. The 35mm DX is a spectacular lens, but it gives you the 50mm look and therefore didn't make the cut here.I just stepped up to the Nikon D750 and will be using my MF Nikkor 35mm f2 lens with this camera. But you are paying for quality glass, and if you are anything like me, you will probably get more use out of a nicer 35mm, later in your photographic journey, than an inexpensive 50.

It manages to avoid many of the issues of distortion that accompanies wider options, and can still create images with shallow depth of field. I don't feel the the need to spend multiple hundreds of dollars for an AF lens when the camera provides easy-to-use manual focusing and exposure tools.I have a problem "seeing" in 35mm these days even though I have consistently had one in my bag for over 15 years. The 50mm options can be found for cheaper, since they are generally simpler, more well-known designs. I just love that "wide" fishbowl look.

As noted earlier, a 35mm lens creates an image that's pleasing to view because it closely resembles our own field of vision. When I had an opportunity to travel to Scandinavia. For me, the 35 is juuuuuuuuuust riiiiiight.I use the MFT system and my favorite lens is the Lumix 20 mm, f/1.7 (version I) on the Lumix G Series cameras. My eyes fell that there is nothing more boring than normal. : Elec. And of course, the perfect lens depends on the photographer and subject, this article is meant to have a bit of fun and highlight the specific qualities of a personally loved focal length.Shooting w an E-M1, my every day lens is the 14-150, but when I'm out at night, shooting shadows and reflections around town, I stick w the Olympus 17/1.8. However the Sony FE 35mm f/2.8 ZA Lens and Rokinon 35mm f/1.4 Lens … Cmon, you thought this was going to be actually scientific? All that said, I'm getting in the ring on Todd's side; I know he too owns a 200mm macro lens :-)   If we also get a fisheye advocate to show up, it'll be a tag team match :-) :-)I will admit Matthew that you are on to something with your telephoto macro pick. I purchased the third lens, a Nikkor 35mm, f2.8. Birds, your portraits are on the way!This somewhat irreverent comment is actually to emphasize that what's the best lens for any given photographer depends a whole lot more on the photographer and his intended subject than adherence to any specific focal length. Always been a fan of the 35 over 50mm for the more "what's happening around the periphery" look.But lets look at this empirically (based on one person of course. Confining yourself occasionally to the Speed up future orders, see order history, create wish lists, and more. This is often accentuated by the fact that I typically like to work with two camera bodies as well.

All in all, there's not a bad lens on this list; it's all about what you are looking to capture in your photographs.

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