A self-conscious woman juggles adjusting to her new role as an aristocrat's wife and avoiding being intimidated by his first wife's spectral presence.
She tries to please her husband by holding a costume party like he and Rebecca used to.
Hitchcock's first American film (and his only Best Picture winner), Rebecca is a masterpiece of haunting atmosphere, Gothic thrills, and gripping suspense.
In the film, Mrs. Danvers is a much younger character (Judith Anderson would have been about 42 at the time of shooting), and her past is not revealed at all. The film currently holds a 100% approval rating on BY WAY OF REPORT: Presented by the Royal Air Force Danvers advises her to copy the dress that one of Maxim's ancestors is seen wearing in a portrait.
At that moment, however the alarm is raised because a sunken boat has been found with Rebecca's body in it.
Nevertheless, when she appears in the costume, Maxim is appalled since Rebecca had worn an identical dress at her last ball, just before her death.
Sir Alfred Hitchcock once said, “I’m not a heavy eater. Joan Harrison (screen play), New York Times March 3, 1946: X3.
Selznick loved the freedom that miles and miles of footage offered him, and in the small clapboard editing room at his Culver City studio, he reshaped the picture that Hitchcock had shot.
His films are sometimes considered misogynistic because of the way the women are seemingly punished, yet he takes the female point of view in many of his films including Rebecca (1940), Suspicion (1941), Notorious (1946) and The Birds (1963). $23.96 You can view some of his work at kogonada.com. Please try again later.
This is a Daphne Du Maurier's story (from a best-seller novel) concerning a prominent widower (Laurence Olivier) called Maxim De Winter who finds a gorgeous and timid young girl (Joan Fontaine) who is serving to an old Mistress (Florence Bates) . I’m just heavy, and I eat.”
Maxim now confesses to his new wife that his first marriage had been a sham from the start when Rebecca had declared that she had no intention of keeping to her vows but would just pretend to be the perfect wife and hostess for the sake of appearances. Directed by Alfred Hitchcock.
Hitchcock's first great American success in a classic story with a love story and suspenseFirst images from the surely misbegotten remake of "Rebecca"‘Rebecca’ First Look: Ben Wheatley’s Twist on Daphne du Maurier with Armie Hammer and Lily JamesRebecca First Look Unites Lily James and Armie Hammer in Netflix Remake
Though they settled with relative speed on Judith Anderson for Danvers and Laurence Olivier for de Winter, they tested well over twenty-five actresses for the second Mrs. de Winter, including Olivier’s lover, Vivien Leigh. Hitchcock’s women are brave, gutsy, sensual, complicated, obsessive, and especially sympathetic.
Mrs. de Winter confronts Danvers about this but Danvers tells her she can never take Rebecca's place and almost persuades her to jump to her death.
Romance becomes psychodrama in the elegantly crafted Rebecca, Alfred Hitchcock’s first foray into Hollywood filmmaking. Trailer from the movie "Rebecca" (1940) This feature is not available right now. Included amongst the American Film Institute's 1998 list of the four hundred movies nominated for the Top 100 Greatest American Movies.
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Meg Baird’s Top While Hitchcock prized the visual, Selznick—an inveterate memo writer—prized the literary or verbal.Audience and critics found more than enough words to praise Throughout the picture—molded by Hitchcock’s direction and Selznick’s editing—Olivier, Judith Anderson and especially Fontaine skirted the edge of Gothic melodrama without ever losing their characters’ humanity. But Maxim is haunted by the ghost first wife , an enigmatic Rebecca , who died in mysterious circumstances . Romance becomes psychodrama in the elegantly crafted Oscar-winning visual effects artist and film historian Craig Barron takes a close look at the techniques used to create the gothic atmosphere of Alfred Hitchcock’s Alfred Hitchcock achieved Oscar-winning success with this psychological thriller, a tumultuous collaboration with producer David O. Selznick.Jennifer Reeder’s award-winning personal fiction films, which explore relationships, trauma, and coping, have screened at Sundance, Berlin, Rotterdam, and several other festivals.Meg Baird is a founding member of the experimental folk collective Espers (Drag City).
They are married and head to Manderley , the familiar mansion (in the exterior actually is a scale model).
A free man, Maxim returns home to see Manderley on fire, set ablaze by the deranged Mrs. Danvers.
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