The problem of shorter focal lengths, even 28mm, is distortions. But everything is not so simple, and both types have their own advantages and disadvantages.Fixed focal length is a characteristic of the lens, which becomes a problem for those photographers, who like versatility. They are smaller and lighter than their “variable” brethren, which is a decisive factor for some photographers.The biggest advantage of zoom lenses over fixed models is a variable focal length, so they are much more versatile. All you can do is to fill the frame with something interesting.
With this lens, you cannot rely on distortion typical a wide-angle lens or beautiful compression you get with a telephoto lens. When compared with the 50mm, the wider focal length brings in more of the background. At such a photo session, you need to “fit” several people into a frame. You can also use a 50mm lens to capture more scene, but you need to step back. But what’s the point of 35 vs 50mm rivalry, and why some photographers shoot only with 35mm, and others with 50mm lenses?35mm lenses are great for photographers, who want to capture a wider angle, but without strong distortion. After visiting many forums, I learned that there are some photographers who managed to photograph 70 people with a 35mm lens, and many, in general, call 35mm the best focal length for group photos.Thus, for group shooting, the winner of 35mm vs 50mm contest is obvious. If you continue to use this site we will assume that you are happy with it.
I recommend this lens to those photographers, who need a wide model with great performance during handheld photographing and shooting in poor light conditions.50mm f/1.2L is a creative lens with a unique pattern that can be used when taking half- and full-growth portraits with a very beautiful soft effect and magical bokeh. Because of the fixed focal length, any zooming in that you need to do, will have to be done with your approaching the object, but you can somehow deal with it. Zoom lenses that you most often see will have f/4 aperture, less frequent – f/2.8.
But believe that it is really possible. Different cameras have different sensor sizes.
That’s why, the lineup of the corresponding optics was called “Art”.This 35mm lens belongs to the line of professional optics and differs from the rest with its technically perfect design. It seems, that the wider the range of focal lengths, the more versatile the lens, and therefore better. For example, 50mm, 35mm, etc.
The second minus is the price. The HSM focusing ensures excellent center sharpness at F/1.4, which makes Sigma 50mm a serious candidate for the best prime lens for travel photography title.This lens shows impressive results when attached to full frame cameras, as the colors are accurate both at the edges and the central part of the image.
If you’re looking for a new lens, view more about the If you’re going to take architecture or interior photography, read more about the Looking for a good lens for apparel or jewelry photography, look though my list of the Don’t know what lens to have at a wedding photoshoot? Thus, if you have a 50mm lens on a 1.6 crop sensor, your effective focal length will be 50×1.6, which will give you 80mm, and 35mm will give you 56mm, respectively.Therefore, the difference of crop sensor is more than obvious - 50mm (80mm) is a classic portrait lens, with a narrow viewing angle, and 35mm (56mm) is a regular one, suitable for most situations.
The focus is amazing, artistic bokeh, and the look it gives from RAW, unedited shots is smooth and pleasing.As you can see, 35mm captures more of the scene and is suitable for full-length and waist portraits.
© Copyright 2020 Fixthephoto.com | All Rights Reserved. 50mm will take shoulder-length photos without distortion and with noticeably creamy bokeh. This lens is considered universal and is suitable for most scenes.50mm also has disadvantages - photographing in a small room is fatal to you, as this is the case when a 35mm lens will be very useful. Professional wedding photographers buy wide-angle lenses especially for such occasions, but 35mm will be enough if you have little space in your bag. It is believed that the 50mm size roughly corresponds to what the human eye sees, although this is a controversial saying. Despite all the pros, this lens has some weak points that become noticeable if we are talking about 35mm street photography. While a standard 50 mm is a great lens under certain conditions, the 35 mm lens is a much more natural way to capture your subject, especially if you’re shooting a wedding or a portrait session on the street. 50mm will take shoulder-length photos without distortion and with noticeably creamy bokeh. For example, you are shooting a girl sitting by the window. You can use it in product photography to get images with a very blurred background. The biggest drawback, in my opinion, is its work with bokeh, which may look improper.Classic 50mm has been the standard for photographers for a long time. But this is exactly what you need for photographing a small number of things, and product photography is most often a photo of 1-2 objects in a frame.If we are talking about photographs of 2-3 people in full length, then 50mm lens will fully cope with such task, as well as with the shooting shoulder-length portraits of 5 people. A 35mm Lens Is Similar to the Human Eye. High-aperture fixed lenses have a slower focusing speed than zoom models.The main disadvantage is a small aperture.
Choose 50mm lens if you aren’t sure that you will be engaged in 35mm lens photography and will need a wider model, but don’t want to be limited to a longer lens.50mm lenses for portrait photography are really good if you take a shoulder-length portrait and photograph somebody more distant. It is high even at the open aperture. But when it comes to a full-frame camera, there are some questions, as 35mm is not wide enough to give strong perspective distortion, so it is suitable for the same situations as the 50mm model. For example, 24-70mm, 17-55mm and others.
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